English Version | Darkroom

10 Dec 2022
By Vogue Portugal

In the course of developing film, it is the red lamp that allows the light-sensitive process to run smoothly.

Photography by Guy Aroch. Styling by Julia Müller.
Photography by Guy Aroch. Styling by Julia Müller.

In the course of developing film, it is the red lamp that allows the light-sensitive process to run smoothly. And it is in this warm and personal atmosphere that memories printed on paper are discovered, that dreams and goals immortalized in images are illustrated. It is in this red tone, either in a luminous version or in complete looks, that a metaphorical red velvet is drawn, representative of everything that moves us and warms our insides, and that seems to work as a motivation for what is to come, in a projection of wishes and conquests to come. What seems to be hidden on a blank canvas is, in fact, only the future waiting to be revealed, in the velvety (un)comfort of an anticipation that is as unknown as it is exciting. Photography by Guy Aroch. Styling by Julia Müller.

Translated from the original on "The Velvet Touch" issue of Vogue Portugal, published December 2022.Full stories and credits on the print issue.

Vogue Portugal By Vogue Portugal

Relacionados


Palavra da Vogue  

Tudo o que aprendi ao namorar com todos os signos do zodíaco

14 Feb 2025

Moda  

Reframe | Editorial de Moda

14 Feb 2025

Entrevistas  

Gracie Abrams em Lisboa: "Foi libertador ser um pouco mais 'barulhenta' nesta fase da minha vida"

13 Feb 2025

Moda   Compras  

Estes são os acessórios indispensáveis para elevar os looks de inverno

13 Feb 2025